Mid-month-theme: subway day

I was kindly invited to join a common “mid-month-theme” about subways (or underground, metro, tunnelbana…), previously shared between New York and Stockholm. This month’s subject is "the exterior of a metro (subway…) station by night".

One photo should be chosen to illustrate the subject. I had to fight with myself not to include a few more according to my habits. (As a compromise, you can find a few more photos on my photo blog.)

This one was taken a few days (nights) ago at the metro station Place de Clichy, one of the stations decorated by Hector Guimard around 1900.

You can find today’s posts and some others linked to the metro theme by using the below links.

New York City Daily Photo - stockholm by pixels - PHO (Paris)

Hector Guimard

I have already previously mentioned and shown some of the famous Paris metro entrances my Hector Guimard (1867-1942). Guimard did also a lot of other things. He was basically an architect, working during the Art Nouveau period (with names like Horta, Gaudi), but not really pretending to belong to the movement.
He lived and worked in the southern part of the 16th ardt. and here you can find a great concentration of buildings he designed, although there are a few other ones around Paris and in the province. (If you feel for a nice walk, at the end of the post you can find a list and where to find these buildings.)

Typical for Guimard and Art Nouveau is to combine the building structure and the decoration, using steel and sometimes armed beton (which both were new then). The later Art Deco built first and then added the decoration.

Guimard was in fashion for a rather short period around the turn of the centuries and a lot that he created has later disappeared. He is now again in fashion and today we seriously regret all that has got lost, including a number of metro station entrances and buildings. One remarkable creation was a concert hall (also in the 16th arrondissement, “Humbert de Romans”) which was demolished only after a few years (the owner went bankrupt).

Guimard became famous at 30 with the building of Castel Béranger. This was just before he created the metro entrances and you can clearly recognise the style.Most of the remaining buildings cannot be visited and some are even difficult to see from outside as they sometimes are in small, private, streets. This part of Paris is full of those (fashionable and expensive). I managed to squeeze in to some of them, but not the way I would have liked. Narrow streets and parked cars make it also difficult to get the views you wish.

One building was temporarily open for public, Hôtel Mezzera, from where I have also some pictures of the interior. Remarkable is that Guimard designed everything, inside decoration, furniture, lamps, stained glass windows… There were 30 Guimard buildings within the area I visited. 17 remain and they are today classified, at least for the exterior part, in a few cases also for the interior. This area was very village like when these houses were built. That gave more space for innovation than if the Haussmannian rules from the centre of Paris would have to be followed. I will revert with some other architectural innovations from the same area. It’s worth looking on Guimard’s work in detail and I would recommend that you have a look on the original photos on my other blog, “Peter – photos”.

A different metro entrance

I have previously already talked about the Paris metro entrances and especially the ones designed by Hector Guimard. Most of them are there since about hundred years (the Paris metro was inaugurated in 1900).

Here is another, new and very different one, “Palais Royal – Musée du Louvre”. It was placed there in 2000 to celebrate the 100th anniversary of the Paris metro. It has got a name, “Kiosque des Noctambules” (Kiosk of the night-walkers), but I took my photos in daytime. There are actually two copulas, one for the night, one for the day, all made of murano glass and aluminium.

I like it a lot, but it has of course been criticized. … and you, what do you think?

You can find it just between the Louvre and the Palais Royal, another beautiful place. I will bring you there soon.

You can find the photos from this pachwork in my other blog, "Peter - photos".

Place des Abbesses

Further referring to the Montmartre patchwork the other day, here are some more details about the Place des Abbesses, where the “I love you”-wall can be found. I think it is one of the most beautiful places in Paris. It has a lot of charm and is not invaded by more or less gifted ”tourist painters” and other commercial activities. It’s visited, but normally not included as a “must” in a normal Montmartre tourist tour.

Adjacent to the central place you have a small park (Square Jehan-Rictus) with the “I love you”-wall. On the place, surrounded by bars, you can find a carousel, a Wallace fountain and one of Paris’ nicest metro entrances. Crossing the street, you will find the church Saint-Jean-l’Evangeliste.

There is some more information below, between the photos.


The church, Saint-Jean-l’Evangeliste, is rather recent, inaugurated in 1904. The architect, Anatole de Baudot (1834-1915), wanted to create a simpler kind of church. The ironwork and the concrete used for the building is partly visible and the, for that époque, innovative design can be said to be related to the “modern-style”.

The “modern-style” (Art Nouveau, Tiffany, Liberty, Modernismo…) is more clearly represented by the metro entrance, designed by one of its innovators, Hector Guimard (1867-1942). You can find several of his metro entrances in Paris, but this is clearly one of the more spectacular ones, with a glass roof. On the top picture, you can (on the lower part) discover how Hector has incorporated an M for metro in his design. (This entrance has actually been brought here from another metro station in order to have it saved.)